- CAPTURE ONE PRO 12 FOR SONY REVIEW UPGRADE
- CAPTURE ONE PRO 12 FOR SONY REVIEW FULL
- CAPTURE ONE PRO 12 FOR SONY REVIEW LICENSE
- CAPTURE ONE PRO 12 FOR SONY REVIEW MAC
(Image credit: Rod Lawton/Digital Camera World) The Auto adjustments are a good start and you can choose with a drop-down menu on the Auto button. You can apply any adjustment to any image just in the browser window – you don't have to 'open' it or switch to a 'develop' mode. Initially, the number of tool tabs, and the number of panels on each, can look daunting, but you quickly remember where the tools you need are located, and there’s a Quick tool tab where you can gather together all your favorite settings. You wouldn’t call Capture One 21 beginner-friendly, exactly, but for anyone who already knows their way around an image-editor, it’s perfectly straightforward.
CAPTURE ONE PRO 12 FOR SONY REVIEW FULL
There are even free Capture One Express for Fujifilm and Sony editions, which are basic cut-down versions of the full software, but still deliver Capture One’s excellent raw processing and output.
CAPTURE ONE PRO 12 FOR SONY REVIEW LICENSE
You can get Sony, Nikon or Fujifilm-specific editions at a much lower price of $199 for a perpetual license or $9 per month. Here, we've made three versions of the same image with three different Styles. Most are sold direct from the Capture One website, but there are Capture One bundles with Styles included. Lightroom has a whole after-market in presets Capture One has Styles.
CAPTURE ONE PRO 12 FOR SONY REVIEW UPGRADE
Sooner or later you’ll need to pay to upgrade to a newer version, so subscriptions (which include updates) do make a lot of sense. However, we always like to point out that ‘perpetual’ licenses don’t include version updates. Alternatively, you can buy a perpetual license for $299/£299. Lightroom is subscription-only, of course, but you can get a subscription to Capture One 21 too, and its twice the price of the Adobe Photography Plan at $19 per month. If you go for the Pro version reviewed here, it works out at about twice the price of Lightroom. Other new features in Capture One 21 include support for 8-bit Apple HEIC image files, and new ProStandard Profiles for selected cameras, to give more accurate and consistent colors during adjustments. You can even name them to remind yourself what you’ve done. Lightroom’s local adjustment tools are a subset of the full range, but Capture One lets you use all adjustments on any adjustment layer. Where Lightroom uses ‘pins’ to position adjustments directly on the image, Capture One uses adjustment layers with powerful masking options. The local adjustments are especially interesting.
CAPTURE ONE PRO 12 FOR SONY REVIEW MAC
Capture One says that searching and browsing is faster than ever in this latest version.Ĭapture One 21 can ‘reference’ your images in their existing locations, but Mac users may be interested to learn that it can also import them into the catalog itself, so that you get a single big catalog file rather than having your photos spread across your computer – just like Apple’s long-lamented Aperture.Ĭapture One 21 does not support Photoshop plug-ins, but it does support 'round tripping' to external editors, so if anything the choice of external apps is even greater. Sessions are ideal when you need to shoot, select and edit images for a client on a job by job basis.Ĭapture One can also work as a Lightroom-style cataloguing tool, storing all our images in a centralized catalog with tools for sorting, filtering and rating your images, and the ability to store them in collections and smart collections. (Image credit: Rod Lawton/Digital Camera World)Ĭapture One offers both a ‘sessions’ based workflow for studio photography, and tethered shooting is its speciality – Capture One has just announced a partnership with Leica to allow tethered shooting with Leica cameras for the first time ever. Capture One 21 now has a Dehaze tool, though the effect is unlike Lightroom's, with a more traditional looking contrast boost rather than Lightroom's psuedo-HDR look (if you push it to extremes).
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